Chosen by Batsceba Hardy from our Facebook Galleries and changed every Monday morning.
In today's society, recognition and appreciation have become significant to many individuals. In our group and on our website, we recognize noteworthy accomplishments such as Photo of the Week, but we do not claim superiority. We proudly display your award-winning photos in our galleries and share them with you. Although we acknowledge our imperfections, we strive to provide you with the best possible experience using our intelligent features, magazines and books. Our ultimate goal is to help you appreciate your own photography as well as that of others whilst also encouraging thought and contemplation.
Monday 23.06.25
Abhishek Maitra & Don Scott
The two images both illustrate the importance of knowing how to see and seize the moment. The first image aims to document a scene and carries symbolic significance, while the second one highlights a humorous reality. If you observe the feet of the man on the left, you'll notice that the tips of his shoes are raised, suggesting that he has unconsciously felt the woman's intrusion at the skate, even if he doesn't show it outwardly.
Monday 16.06.25
Niklas Lindskog Cassian Edwards Erik Corduwener Keef Charles
These images have a unique strength. The little girl whose positive attitude shines through her circumstances, the surprised and curious expression of the girl whose hair is tousled by the wind, the face illuminated by striking lighting effects, and the commitment the man shows in his work—all are composed with precision. The first image features a compelling play of shadows in the background; the second is beautifully balanced; the third showcases a stunning contrast between black and white; and the last captures perfect nuances.
It's very difficult for me to continue pretending that nothing is happening when the world is at war. This situation could affect any of us. I’m not interested in political analysis; the reality is that humanity has always been at the mercy of its own mistakes and the power we grant to irrational, soulless individuals. In the past, humanity was trapped by ignorance; today, we are ensnared by the constant pull of our cell phones. It’s time to awaken from this distraction and reclaim our awareness. I apologize for my outburst, but while preparing the photos of the week, I find it extremely frustrating. It feels wrong to keep pretending that everything is fine.
Monday 09.06.25
Petros Kotzabasis Riten Chatterjee TC Genco Sabancı
I have selected three images from our "Scape" gallery. While perhaps not traditionally classified as street photography by purists, these images possess a wide range and effectively tell stories, capturing realities just as vividly. Furthermore, we are not limited to street photography.
This time, they offer insights into the Greek countryside, Indian rituals, and a Turkish city. Each image is both atmospheric and communicative. The play of the wind is wonderful. The contrast between life and death is exceptional. The solitude that can describe a city is exclusive.
Geert Verstrepen Sam Benari
I have also selected these two images, even if they are dissimilar. The first is an image that creates intense and reflective sensations. I imagined that the child felt the pain of the poor being deprived of freedom and tried to communicate with him.
The second is absolutely a well composed street and perfectly tells a story of London The City of Electricity.
But both are in a sense, sensationalist.
Monday 02.06.25
Uwe Schröder
Manuel Claro Afable
The image of Uwe Schröder is captivating in its sweetness. Upon closer examination, you can see the profile of a child in the bottom right corner, which highlights the connection flowing among all the children depicted. The image is beautifully composed, with harmonious colours and a compelling story.
The image of Manuel Claro Afable represents a perfect street that narrates the story of life while symbolising the unbridgeable generational gap in this new millennium.
Monday 26.05.25
Tina Manley - Harrie Miller
Don Springer - Sultan Koç
Tom Schphotography - Manas Das
This week, I wanted to pair some striking images.
The first two represent two very different realities: exploitation (Tina Manley) and well-being (Harrie Miller). Both images are exceptional in their own right.
The two gritty black-and-white photographs share a common theme of contact with their subjects, albeit in different ways. The first image (Don Springer) captures a casual interaction that conveys uncertainty, and perhaps even annoyance. In contrast, the second image (Sultan Koç) is more intentional, portraying a subject who exudes confidence and happiness in his work.
The two colour photographs, despite their similar colour palettes, exemplify different photographic projects. The first one (Tom Schphotography) explores a reflected world, evoking a range of sensations that viewers can derive from it—what we might refer to as "the other side." The second image (Manas Das) presents a deceptive still life that invites us to imagine the figure in the poster as a real person, serving as a protagonist in what we refer to as the "fake world."
